Albums et singles de Leonard bernstein
Bernstein: Candide Overture / Symphonic Dances / Symphonic Suite / Fancy Free
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"cool" Fugue. Allegretto |
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Iv. Pas De Deux |
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Ii. Scene At The Bar |
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Meeting Scene. Meno Mosso |
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"somewhere". Adagio |
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V. Competition Scene |
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Cha-Cha ("maria"). Andantino Con Grazia |
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Vii. Finale |
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Mambo. Presto |
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Variation Ii (waltz) |
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Finale. Adagio |
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Prologue. Allegro Moderato |
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Vi. Three Dance Variations: Variation I |
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I. Enter Three Sailors |
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Rumble. Molto Allegro |
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Variation Iii (danzon) |
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Scherzo. Vivace Leggiero |
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Iii. Enter Two Girls |
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Allegro Molto Con Brio From Overture To |
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Moving Forward, With Warmth ? Largamente |
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Andante Largamente ? More Flowing ? Stil |
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Adagio ? Allegro Molto Agitato ? Alla Br |
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Andante (with Dignity) ? Presto Barbaro |
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A Tempo |
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Allegro Non Troppo, Molto Marcato ? Poco |
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Holst: The Planets; Elgar: Pomp And Circumstance, Op. 39 Military March No. 1 In D Major
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Pomp And Circumstance, Op. 39 Military M |
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Uranus, The Magician. Allegro ? Lento ? |
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Neptune, The Mystic. Andante ? Allegrett |
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Mars, The Bringer Of War. Allegro |
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Jupiter, The Bringer Of Jollity. Allegr |
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Venus, The Bringer Of Peace. Adagio ? An |
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Mercury, The Winged Messenger. Vivace |
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Saturn, The Bringer Of Old Age. Adagio |
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Bernstein: Mass
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Xiv. Sanctus |
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Xii. Offertory (de Profundis, Part 2) |
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2. Trope: "i Don't Know" |
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5. Trope: "i Believe In God" |
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Ii. First Introit (rondo): 1. Prefatory |
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2. Gloria In Excelsis |
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I. Devotions Before Mass: 1. Antiphon: K |
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2. Hymn And Psalm: "a Simple Song" |
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V. Meditation No. 1 |
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Xiii. The Lord's Prayer: 1. Our Father.. |
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Viii. Epistle: "the Word Of The Lord" |
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3. Trope: "half Of The People" |
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2. Trope: "i Go On" |
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Xv. Agnus Dei |
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2. Thrice-Triple Canon: Dominus Vobiscum |
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2. Trope: "non Credo" |
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Vii. Meditation No. 2 |
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3. Trope: "hurry" |
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Ix. Gospel-Sermon: "god Said" |
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4. Trope: "thank You" |
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Xi. Meditation No. 3 (de Profundis, Part |
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2. Prayer For The Congregation (chorale |
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Xvii. Pax: Communion ("secret Songs") |
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4. Trope: "world Without End" |
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3. Trope: "easy" |
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Vi. Gloria: 1. Gloria Tibi |
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Iii. Second Introit: 1. In Nomine Patris |
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3. Responsory: Alleluia |
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Iv. Confession: 1. Confiteor |
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Xvi. Fraction: "things Get Broken" |
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X. Credo: 1. Credo In Unum Deum |
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3. Epiphany |
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Beethoven: Piano Concertos Nos. 3 & 5 "emperor"
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Ii. Largo |
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I. Allegro |
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Ii. Adagio Un Poco Moto |
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Iii. Rondo. Allegro |
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I. Allegro Con Brio |
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Iii. Rondo. Allegro |
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Berlioz: Harold In Italy, Op. 16 & La Mort De Cléopâtre
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Allegro Assai Agitato - "non !... Non, D |
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Ii. March Of The Pilgrims |
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Lento Cantabile - "ah ! Qu'ils Sont Loin |
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Recitativo: "c'en Est Donc Fait !". Mod |
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Iii. Serenade |
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I. Harold In The Mountains |
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Méditation: Largo Misterioso - "grands P |
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Allegro Non Troppo - Recitativo Misurato |
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Allegro Vivace Con Impeto |
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Iv. Orgy Of The Brigands |
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Recitativo: "au Comble Des Revers". Mod |
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Gershwin: Rhapsody In Blue / An American In Paris
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Iv. Sunset |
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Iii. On The Trail |
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Rhapsody In Blue |
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I. Sunrise |
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An American In Paris |
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Ii. Painted Desert |
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V. Cloudburst |
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Bernstein Century: Samuel Barber - Adagio For Strings / Concerto pour Violon (avec Isaac Stern)
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Molto Adagio |
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Vigoroso |
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Lento (bar 185) |
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Iii. Presto In Moto |
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I. Allegro |
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To Thee Old Cause (evocation For Oboe, B |
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Ii. Andante |
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Bernstein Conducts Bernstein
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Ii. Allegretto Vivace |
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Iii. Taveuk Gueunksis |
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B. The Masque: Extremely Fast |
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C. The Epilogue: Adagio; Andante; Con Mo |
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A. The Prologue: Lento Moderato |
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Iii. Sostenuto; Allegro Molto |
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A. The Dirge: Largo |
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C. The Seven Stages: Variations 8- 14 |
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Iv. Civet à Toute Vitesse (rabbit At Top |
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I. Prophecy |
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Iii. Lamentation |
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I. Plum Pudding |
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B. The Seven Ages: Variations 1 - 7 |
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Iv. Con Brio |
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Ii. Queues De Boeuf (ox-Tails) |
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I. Moderato |
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Ii. Profanation |
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V. Moderato, Alla Marcia; Andante |
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Mahler: Symphony No. 2 In C Minor "resurrection"
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Tempo I. (allegro, Etwas Hastig) |
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Iv. "urlicht" - Sehr Feierlich, Aber Sc |
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Iii. In Ruhig Fließender Bewegung |
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Tempo I |
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Schnell |
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Mit Aufschwung, Aber Nicht Eilen |
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Etwas Bewegter |
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Iv. Adagietto. Sehr Langsam From Symphon |
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"accende Lumen Sensibus" |
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Sehr Mässig Und Zurückhaltend |
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Più Mosso |
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Langsam |
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I. Allegro Maestoso |
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Vorwärts |
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Maestoso |
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V. Im Tempo Des Scherzos. Wild Herausfah |
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Wieder In's Tempo Zurückgehen. Tempo I. |
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Im Anfang Sehr Zurückgehalten |
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Energisch Bewegt |
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"veni, Creator Spiritus!" |
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Sehr Langsam Und Gedehnt |
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Zum Tempo I. Zurückkehren |
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Ii. Andante Moderato |
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"imple Superna Gratia" |
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Tempo Sostenuto |
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"qui Paraclitus Deceris" |
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"gloria Patri Domino" |
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Wieder Zurückhaltend |
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Langsam. Misterioso |
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| 2. |
Etwas Bewegter |
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"infirma Nostri Corporis" |
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"infirma Nostri Corporis" |
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Mahler: Symphony No. 7
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Tempo |
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Maestoso. Allegro Come Prima |
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Movement Iii. Scherzo: Schattenhaft; Fli |
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Movement Ii. Nachtmusik I: Allegro Moder |
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Nicht Schleppen |
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Allegro Risoluto, Ma Non Troppo |
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Gemessen! Nicht Schnell! Tempo Ii (all |
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Movement I. Langsam (adagio) |
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Tempo I (halbe Wie Die Viertel Des Tempo |
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Adagio (tempo Der Einleitung) |
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A Tempo (sempre L'istesso) |
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Subito Allegro I. Ziemlich Ruhig |
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Movement V. Rondo-Finale: Tempo I (alleg |
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Wieder Wie Zu Anfang (nicht Eilen) |
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Movement Iv. Nachtmusik Ii: Andante Amor |
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Sempre L'istesso Tempo. Nicht Eilen, Se |
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Figure 197 |
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Sempre L'istesso Tempo |
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Trio |
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Shostakovich: Symphony No. 14, Op. 135
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I. De Profundis. Adagio (bass) |
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Ix. O Delvig, Delvig! Andante (bass) |
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Iv. The Suicide. Adagio (soprano) |
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Iii. Die Lorelei. Allegro Molto - Presto |
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Vi. Look Here, Madame! Adagio - (attacc |
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V. On The Alert. Allegretto - Adagio - A |
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Xi. Conclusion. Moderato (soprano, Bass) |
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Viii. Zaporozhye Cossack's Reply To The |
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Vii. At The Sante Jail. Adagio (bass) |
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X. The Poet's Death. Largo - (attacca) ( |
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Ii. Malaguena. Allegretto (soprano) |
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Tchaikovsky: Symphony No. 4 & Capriccio Italien
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Iii. Scherzo, Pizzicato Ostinato |
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Iv. Finale: Allegro Con Fuoco |
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Capriccio Italien, Op. 45 |
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Ii. Andantino In Modo Di Canzona |
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I. Andante Sostenuto; Moderato |
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