Music: Folias (Imperfectas)
Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
La Folia: "Yo Soy La Locura"
Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico
Narration VII (3): Follys Origins
Recercada quarta sobre la Folia
Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)
La Gamba In Basso, E Soprano (1564)
Narration X (6): "Follys Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Si habrá en este baldrés (C. M. Palacio No. 179)
Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
Diferencias Sobre Las Vacas (Anonymous Improvisation)
Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)
Narration XVI (11): "Of Follys Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)
Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)
Todos los buenos soldados (La Guerra)
Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
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Narration XXV (16): "Of the Inferiority of Wisdom in all of Lifes Circumstances" / Music: Vederlo (Improvisation)
Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Careys Dompe / Danse Tune English Tradition (Harp)
Saltarello (Mss. Venezia)
Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)
Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa
Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)
Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)
Narration LVII LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
Diferencias Sobre Las Vacas (Harp)
Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)
Makam Muhayyer pesrev (Ottoman War March)
Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
Saltarello: Une musque de Buscaye (Instrumental)
A Florence la joyose cité (C. M. Montecassino No. 6)
Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
Audi, benigne Conditor (C. M. Montecassino No. 40)
Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
Lavava y suspirava (Anonymous Sephardic)
Malor me bat (Odhecaton, No. 63)
Benedic anima mea (Ps. 103, 1-3)
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