1. |
Aquarius (From "Hair") |
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2. |
Donna (From "Hair") |
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3. |
Hashish (From "Hair") |
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4. |
Sodomy (From "Hair") |
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5. |
Colored Spade (From "Hair") |
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6. |
Manchester England (From "Hair") |
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9. |
I Believe in Love (From "Hair") |
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10. |
Ain't Got No (Reprise) (From "Hair") |
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12. |
Initials (From "Hair") |
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13. |
I Got Life (From "Hair") |
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14. |
Going Down (From "Hair") |
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16. |
My Conviction (From "Hair") |
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17. |
Easy to Be Hard (From "Hair") |
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19. |
Frank Mills (From "Hair") |
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21. |
Where Do I Go? (From "Hair") |
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23. |
Manchester England (Reprise) (From "Hair |
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26. |
Walking in Space (From "Hair") |
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28. |
Three-Five-Zero-Zero (From "Hair") |
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31. |
The Bed (From "Hair") |
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32. |
The Flesh Failures (Let the Sunshine In) |
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4. |
Going Down (From "Hair") |
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6. |
Dead End (From "Hair") |
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7. |
Frank Mills (From "Hair") |
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9. |
Where Do I Go? (From "Hair") |
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12. |
Manchester (From "Hair") |
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15. |
Walking in Space (From "Hair") |
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16. |
Aquarius (From "Hair") |
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17. |
Good Morning Starshine (From "Hair") |
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19. |
The Climax (From "Hair") |
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20. |
Opening (From "Hair") |
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22. |
Sentimental Ending (From "Hair") |
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23. |
How did you become involved with "Hair"? |
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24. |
What do you remember about the Off-Broad |
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25. |
And the Broadway cast recording? |
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27. |
How did the two productions differ? |
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28. |
You were not a traditional theater compo |
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29. |
Did "Hair" influence your later work, li |
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30. |
"Hair" was controversial with critics an |
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31. |
On writing music for the theater, and wh |
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32. |
Did you ever have to rewrite any of the |
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33. |
What sort of music do you write now? |
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34. |
Do you use synthesizers? |
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35. |
Have you got any advice for people who w |
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7. |
I'm Black (From "Hair") |
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20. |
Be-In (From "Hair") |
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11. |
Air (From "Hair") |
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15. |
Hair (From "Hair") |
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22. |
Electric Blues (From "Hair") |
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8. |
Hare Krishna (From "Hair") |
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13. |
White Boys (From "Hair") |
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